In this series, low ends are made with zynaddsubfx and top end are processed samples of me hitting various objects used audacity and renoise to stack them.
Vigorous picked bass sound. Preset #4 from bassesland vsti software. Notes starting from c5 produce harmonics. Http://syntheway. Com/bassesland. Htm. Bassesland is a virtual bass software that covers a wide range of sounds, from an electric bass guitar or an acoustic double bass, to the vintage bass synthesizers. Features. - rotary switch selector to change between the following basses:. 01 electro acoustic bass02 fretless electric bass03 jazz electric bass04 fingered bass and harmonics05 picked bass and harmonics06 muted bass and harmonics07 slapped electric bass08 bass slides (glissandos)09 fuzz bass overdrive10 minimoog sub-bass11 moog prodigy bass12 moog system 55 modular synth13 moog taurus pedal preset14 moog taurus bass pedal preset15 roland jx-3p juicy funk16 roland jx-8p synth bass17 roland juno-106 fat bass18 clavia nord lead acid bass19 oberheim ob-xa buzz bass20 arp 2600 bass (arp instruments, inc)21 oscar bass (oxford synthesiser company)22 kawai k3 resonance bass23 upright bass (acoustic double bass)24 upright bass pizzicato.
Bass warning!a 13second sinewave, the tone sweeps up from exactly 20hz to 190 hz then stops. It was recorded in logic pro & i use it from time to time to do sub sweeps. If your speakers are loud please don't have them cranked up without hearing low first.
This sound has 1 purpose. Add deep bass to everything it touches. It may be short, but every aspect was fussed over. Mcbridge played a role in the creation of mcpulse if you need a sub-1 second version. No strings attached. Use this, anything else that i upload stress free. Key: a♭ minoralt key: 1abpm 107.
Free to use without restricition. No attribution required. 50 seconds of ghostly wails over a dark sub bass drone with wide stereo reverb. Produced by using two old school analog synths, a cs-80 and a dx7. All chorus, phaser and reverb settings were manipulated within the synths. An external hi-pass eq plugin was added in order to cut off the subs at 30hz. These old analog synths produce frequencies way below the tolerance of your monitors; thus the need for a bass cutoff, not to mention to also prevent involuntary bowel leakage xd.
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Made from a tom drum i created with xfer serum in reaper. Rendered the instrument as audio, then, sampled a small section of the tom and looped it infinitely to create a static frequency. Then i added the reapitch vst and created a smooth automation curve down to -24 semitones. Lastly, i added a short fade in and long fade out.
One-shot sample created from portable cassette tape recorders. Sound sources from broken cassettes, internal feedback modulation and tape speed manipulation. All original sounds. Suitable for drum rack/ drum machine sequencing.
A moderately-sized bell of crystal glass. The tongue rolls inside the bell back and forth several times in a rhythmic manner. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.
Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
This is a boomy break beat i made at 102bpm. It utilises a variety of individual free percussive hits, sequenced in free tracker program, jeskola buzz.
112bpm underground sound breakbeat, loops perfectly. Enjoy in your creative projects. Made in flstudio20 with standard drums and my roland boom kick. Included loop, special thanks to bitbeast.
Big room drums, tone: e speed: 128bpm length: 32 bars. Made in fl studio by mixing various samples and loops. Recorded in edison. Starts with one kick, then adds rides, then claps and a riser.
This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
A bit wood-like crunchy sounds made by living hyacinth leaves when gently (i swear) pressing on them with hands. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.
I left my phone inside a wooden cupboard and tried to call it back outside by knocking on a glass door. Did it listen? it’s a secret. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.
Massive analog wobble sound fx. You can donate me here:. Https://www. Paypal. Com/cgi-bin/webscr?cmd=_s-xclick&hosted;_button_id=jb6lp3epgywx4. Thanks :).
Standard 808 kit with individual compression. Lfo effects applied to the claps so the echoes move around the eq frequencies. Loops perfectly at 130bpm, hope you enjoy.
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Cut the 8-bar loop to 1/8 pieces and you have patterns (kb , kbb , k_b_ , kbbb) to loop!. Psy trance kick bass drum loop 138bpm g#1from the demo here:. Https://functionalsoftware. Net/syndrome-sounds-volume-1-trance-music-sound-library-sample-pack-kick-bass-loops-for-psy-goa/?ref=freesound210521loop.
Holding a metal bell by its tongue, i’m rhytmically shaking it to make this sound. Reminds sleigh bells a bit. Sound of a couple of links joining the tongue to the bell body is prominent. Recorded with redmi note 5 phone, denoised and filtered bogus sub bass in audacity.
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
A sequence of beeps from vst instrument p8 at 120 bpm with some effects applied. Created for the continuum 4 project which can be found here:. Http://www. Freesound. Org/forum/dare-the-community/32704/.
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 5 is a dark bass line, created using a bespoke sub bass instrument created in Ableton's Sampler.
A clash cymbal turned down to 10 bpm, repeated on different tones depending on my mood and a triple osc was added. Effects: massive delay and reverb, echo and a compressor.
Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 2 sec).
Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 3 sec).
As usual. . A triple osc was used. I played with the different possibilities. . . Sine, triangle, saw, square waves were used here. It may cause damage on high volume (maybe?). Effects: phaser, reverb. After recording, the entire soundshape was inverted.
For you today this fat, massive hip-hop beat, processed with lots of bass and sub, ready for use in your musical project!crafted by hand, original and never used before! do what you want with it (can be used commercialy) ,. . . Enjoy!.
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
